This week’s entry for IF is a book cover I did a few years ago. Thought I’d dust it off for the subject of “Twirl”.
By Lorraine Dey
I always find it interesting as an illustrator to see the various work spaces of fellow artists. We are very similar in that most of our work is done in solitude, we enjoy the work we do, and we are inspired by each other.
However our differences show in our work spaces and how we actually do the work… the tools we use, the reference, and the decor… of course the decor!
Just kidding… most of us work amoung stacks of art boards, supplies, paper and books. I know for myself, I work much better if my space is organized somewhat and if things are getting out of hand, I have to take time to get it straightened out before I can really dive into that next project I need to illustrate.
I decided to take you on a mini-tour of a few artist’s studio spaces. I will share some of my own studio images as well as several other artist’s. We will start with mine…
Since I do the majority of my finished work on the computer as digital paintings in Adobe Photoshop or vector art in Adobe Illustrator, my studio is predominantly based around my computer set up. I also have a small art table for my initial sketching and pencil roughs, (although I usually sketch while sitting in my recliner or in a beach chair if possible!)
Fine artists like Todd White paint at their easels while digital artists sit at a computer for hours.
Above photo is Susan Sorell Hill’s studio
Above photo is Mike Weber’s Studio
The studio space is one that truly reflects the style and personality of the artist. They range from the eclectic and fun, to the sophisticated and organized. Check out some of the photo links below for more artist’s studios…
Thanks for visiting. I hope you enjoyed the tours.
Lorraine Dey
One of the most important “must-have’s” for an illustrator is a professional-looking portfolio. Wether you are a student with no experience or a seasoned professional, your portfolio needs to show your best foot forward. It is the first impression given of you and your work, talent and style, and you only get one chance to make that first impression!
I’ve compiled a few links to articles discussing the basics of setting up your best portfolio impression, and I will add some of my own tid-bits based on my experience over the years in past positions as an Art Director, designer and freelance illustrator.
Here is some valuable reading on art portfolios from Computerarts.
Portfolio “How-To’s”.
Portfolio tips from children’s book editor Cheryl Klein.
Preparing a Student College Portfolio.
You will definitely want to be specific in directing your portfolio to the specific area you would like to focus on.
As a children’s book illustrator and a graphic designer/technical illustrator, I have several different portfolios. If I am showing my work to an art rep who promotes to children’s publishing, I will obviously show the specific portfolio for my children’s illustration. Trust me, they do not want to see highly technical renderings of machine parts, or the latest and greatest ad you just completed for that fortune 500 company. I have seen artists lump everything together into one portfolio and show that one portfolio to everyone. All it does is dilute your work and the viewer will have a difficult time sorting out and remembering exactly what it is you do that can be of use to them.
Start out with a great looking case, even if it doesn’t cost a bundle of money make sure it is in good, clean condition.
With a “screwpost” portfolio you can control the amount of page inserts in the book. For illustrators, try to keep it at 10 to 12 of your absolute best work.
Try to get a professional’s, (or 2) opinion on what your “best” work is. Sometimes we have a hard time choosing for ourselves. I was lucky enough to sit down for a portfolio review with award winning children’s illustrator E.B. Lewis.
His feedback and pointers were very helpful and the images that he was choosing as my strong pieces were different than the one’s I had thought were. He also suggested that I follow a “post and Rail” theme to the book, meaning that you intermingle strong “Post” pieces with the weaker “Rail” pieces. That’s not to say that the “rail” pieces shouldn’t be just as high quality.
I hope this information has helped you in setting up your illustration portfolio. Feel free to add a comment. Thanks for visiting!
Lorraine Dey
click on image above to get a PDF file.
Quality Presentation Cases for illustrators and Photographers.
I thought I’d share a few of my favorite ways to promote children’s illustration online. You’ll want to start out with good 72 dpi JPG images of your work and a basic bio and contact info. of course.

Building a web presence… It is really best if you have a website to showcase your online portfolio. Create your own, or post your images on a free social network site or blog. It will definitely look much more professional and you are more likely to be taken seriously if you have a website of your own.
Avoid an ametuer-looking website
Start a Blog: This is a good idea if you have something to share that may benefit others. You can also start a blog of weekly illustration samples and promote it with a link to a site such as Illustration Friday which features a weekly subject to illustrate.
Show your Published and In-Progress work: I can often fit images and information into my monthly blog with examples of what I am currently working on, or news and new release information. It usually fits the topic in some way.
Social Networking Sites: Set up a page on social sites such as twitter.com, facebook.com, or LinkedIn.com for promoting your work or any new books that will be released. An industry-specific social networking site for Children’s Books is JacketFlap.com.
Join a Group: There are groups such as SCBWI that feature their members portfolio images and information on their websites, included in the membership fee. They are also a great source for regional and local events and critique groups as well as a great place for finding valuable industry information.
Advertise with Trade Websites: Childrensillustrators.com is one of the industry leaders but there are several others as well. The cost per year is minimal considering that many publishers and agents use this site and have access to your work samples. Try an online search for “Promoting Children’s Illustration”.
Cross-Promote: Add a link to your blog on your website. Include your social networking links on everything. Tweet about any updates and any news about you and your work, and include links to your blog or website in your tweets. Many of these sites like Facebook have a feature to allow you to connect your other social network sites like Twitter so you can update your posts for all your SN sites at once.
Update Your Portfolio: Try to update your work samples frequently and keep a current online portfolio of your best work. Treat your online presence as you would your actual portfolio book. Think; fewer images that focus on your individual style and your absolute best quality work.
Good Luck!
click on image above to get a PDF file.
A promotional site for Illustrators to showcase their work.
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